

In a nice treat for gamers, Ashly Burch of Hey Ash, Whatcha Playing? fame voices the “Potato Girl” herself, Sasha.
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I don’t know whether this was improvised, but in Episode 3, during Eren’s mishap with the Maneuver Gear, Seitz slips in the famous “What’s your major malfunction?” line from Full Metal Jacket and it works perfectly. Seitz has long excelled in this sort of charismatic, commanding role (see his work as Luke Valentine in Hellsing) and Keith is no exception. Of the show’s admittedly colorful and varied supporting cast, the standout is easily Patrick Seitz as drill instructor Keith. I look forward to seeing where she takes the role. The triumphant moment where Mikasa punches Eren in Episode 1 is even greater here thanks to Nishimura’s earnestness. He takes Armin and really nails his shift from weak worrywart to confident strategist, all the while playing up the character’s sympathetic side.Īs the demure killing machine Mikasa, Nishimura takes a somewhat thankless part–Mikasa is dangerously codependent on Eren, the biggest of the character’ s problems–and excels. Grelle, a longtime supporting player for FUNimation and ADV, shines in his first real main role. That pays off, though: he makes Eren’s rage palpable and relatable, even if he can’t get past the character’s core flatness.Īs the main side characters Armin and Mikasa, Josh Grelle and Trina Nishimura have to do a similar amount of heavy lifting and succeed. As Papenbrook recounts in this interview, while recording the show, his voice actually broke due to all the stress. Dub director Mike McFarland chose to let the cast scream themselves hoarse with all the shouting and rage that informs these characters. While original Japanese actor Yuki Kaji was unable to do anything with the raw rage that makes up Eren, Papenbrook inhabits that rage and pushes it right in the viewer’s face. and the results here are great.īryce Papenbrook, on a bit of a hot streak after his work as protagonist Kirito in Sword Art Online and Rin in Blue Exorcist, plays Eren and he is excellent.

FUNimation, having come a long way from casting random office employees in shows, now uses actors sourced from both Houston and L.A.

In an age where localization studios actually care about being faithful to the material they’re adapting, a good cast is crucial. So a few episodes in, how’s the dub? Well, let’s break it down and find out. And according to this advance review from Anime News Network, the dub apparently featured the improved animation from the Japanese home video release that replaced the static cut-aways that so annoyed me the first time. For another, FUNimation has a very proven track record of taking weak shows and elevating them to a whole another level with their scripting and dubbing.
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Well, I’m a fan of new English dubs on TV for one thing. People would breathlessly tell me how they had binge-watched the show in days on Hulu, Crunchyroll or Netflix and for the life of me, I just couldn’t imagine why.īut when the announcement came that Titan was to air on TV starting May 3rd–in a nice move of synergy before FUNimation released the first DVD/Blu-Ray set on June 3rd–I got interested all the same. Yet, everyone I knew went positively nuts over it. As welcome as a huge hit is for anime, this particular show is rather problematic.Īs our previous article about it discussed, the show has absolutely glacial pacing, resolves nothing and is just generally not well executed. In the ’90s, it was Dragon Ball Z and Sailor Moon, in the ’00s, it was Naruto and for this decade, it appears that show is Attack On Titan (now airing on Toonami on Adult Swim Saturday nights at 11:30 EST). Every few years or so, an anime comes along that blows up both among fandom and the general public.
